Free Web Hosting Provider - Web Hosting - E-commerce - High Speed Internet - Free Web Page
Search the Web

Pre dynastic Kmt
Pre-political Unification.

Click link for high resolution image.

Fertility Figurine / Ka Figure?
Provenance: ?

I have included this figure in regards to the debate regarding egyptian skin tone, and the popular idea that egyptian women were habitually painted yellow.

Fertility Figurine
Journal of Egyptian Archeology, vol. 28.
Provenance: ?

This particular figure wears a pelvic girdle [2] possibly indicating this figure was used in a fertility rituals.
Black clay steatopygous figure
Provenance: Badari
Source: Petrie Musuem Website.

Red clay figure, slightly steatopygous.
Provenance: Badari
Source: Petrie Musuem Website.

Male clay steatopygous figure, with traces of black paint.
Provenance: ?
Period : Predynastic ?
Source: Petrie Musuem Website.
Excavations from early pre-dynastic sites indicate an ancient human type. The early representational art depicts steatopygic females and males, a unique feature characteristic of one of Africa's oldest ethnic groups, sometimes refered to as Bushmen or Hottentots[1].
At our current state of knowledge, this early steatopygus element of the population was absorbed or integrated with waves of Nubian, Ethiopian, and Saharan migrants.
At our present state of knowledge, we really do not know what the function of these figures.



"Two Gazelles Palette"
Late Predynastic Period. ca 3150 BCE
British Museum, EA 20791.

battle_00.jpg
34.4 KB

This document represents a king, embodied as the symbolic lion of kingship, sacrificing his oppositional parties. Two such men, are depicted bound to their
political provinces.  We can confirm these men's social importance by the fact that they have long beards.  All the men have strong African traits, fleshy noses, tightly curled afro hair, and rounded buttocks.

These figures are often described as "non-Egyptian." A foreign classification is incorrect, as we will see these men all closely resemble a Upper Egyptian phenotype preserved on the Narmer document. The Gazelle document is important because "now firmly established is the convention of showing hips and limbs in side-view and frontal eyes in a profile head that was to continue for centuries through Egyptian [and Nubian] art."
(
ALDRED, C.
Egypt to the end of the Old Kingdom. p.42)



Oppositional ruler.
battle_01.jpg
25.8 KB



Oppositional ruler.
battle_02.jpg
33.4 KB




battle_03.jpg
23.2 KB



battle_04.jpg
25.3 KB



battle_05.jpg
30.0 KB



battle_06.jpg
25.7 KB



battle_07.jpg
23.7 KB



battle_08.jpg
25.1 KB

We know this document symbolizes a political event, or perhaps the political milieu when the southern princes sought to curb political anarchy and unify the land. This document also functions on a spiritual level. This is evident because the king appears as a lion, which is symbolically feasting from the navel of one of his opponents. Here we can already see the complex esoteric and semiotic thoughts these most ancient Africans were already using with subtle mastery.

TO BE CONTINUED...


Back to iconographic inquiry.

[1]

The terms Bushman or Hottentot are used by European ethnologist to refer to modern ethnic groups such as the indegenous people of the Calahari Desert, ethnically known as Khoi, Khoisan, and San.

[2] Pelvic girdles slung around the hips are ancient garments that are still worn in modern Africa to heighten the beauty and form of the female figure. Pelvic girdles were worn by all level of society, including Queens. Some Egyptian girdles were crafted from beads and golden rattles that closely immitated the shape of cowrie shells. (ALDRED, C. Jewels of the Pharoah.)
The shape of the Cowrie shell resembles the female genitalia, further substantiating the pelvic girdles role in the fertility cults. The girdles would rattle in conjunction with the gait of the woman, adding a level of auditory eroticism which I beleive connects the garment with Ht-Heru, the classical African love goddess.  pelvicGirdle.html
Copyright (c) 2003, Alexander Derrick
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or
transmitted in any form or be any means, electronic, mechanical, photocopying, or otherwise
without the prior permission of Alexander Derrick (low_stress@hotmail.com)